This is the illustration for my forthcoming short story, The Pentecostal Home for Flying Children, rendered by the illustrious illustrator, Chris Burnam.
I'll be joining local authors Harry Hunsicker and Melanie Wells and
singer-songwriter Trish Murphy this Thursday, April 17 at 6 p.m. at the Garden
Café, 5310 Junius St.,
for a night of songs and stories. Should be a real wing ding. Please
tell your friends and join us if you can. Rumor is there will be free
wine.

That's Melanie and Trish as seen on their blog thelmaandlouisegrabthekeys.com
The Dallas Morning News today reports that David Gordon Green has come a long way since 2000 when he released George Washington. The way the DMN spins it in their article, DGG is just now coming onto the scene as a revered filmmaker.
Dude, homeboy has been the scene for anyone who knows anything about film since George Washington came out. Green's All the Real Girls and Undertow have had that Ebert guy thumbing up, way up for years.
Actually, it's a very favorable article, but let's not underestimate DGG's cannon of work thus far. He was a serious film maker from the get-go. And while every artist grows with each project, it's hard to deny that Dave was a bad ass from the beginning.
Just in case you don't know what the above is spoofing. Here's the original.
Jefffery Goodman (a friend of my little brother's from high school) takes the AFI Dallas Film Festival by storm. The buzz on this film is tremendous. I'm going to the screening on April 4th thanks to Jeffery's largesse.
Aside from being a bad-ass filmmaker, what I love is Jeffery's DYI ethos.
Dude ended up raising all the money for Lullaby himself, selling the film in $50,000 units to private investors in his hometown of Shreveport, Louisiana. He believed it would take this level of freedom to make a movie that he felt was slightly different than most things currently being made.
"With Lullaby, I wanted to do certain things that weren't necessarily in fashion. I wanted to make a slow, quiet genre piece that was sincere (rather than ironic) and very human. And, in many ways, I wanted to make it in the naturalistic style that I associated with some of my favorite American films from the seventies." Check out his film's website by clicking here.
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If clockwise, then you use more of the right side of the brain and vice versa.
Most
of us would see the dancer turning anti-clockwise though you can try to
focus and change the direction; see if you can do it.
| LEFT BRAIN FUNCTIONS uses logic detail oriented facts rule words and language present and past math and science can comprehend knowing acknowledges order/pattern perception knows object name reality based forms strategies practical safe |
RIGHT BRAIN FUNCTIONS uses feeling "big picture" oriented imagination rules symbols and images present and future philosophy & religion can "get it" (i.e. meaning) believes appreciates spatial perception knows object function fantasy based presents possibilities impetuous risk taking |
John McNally & Owen King: Who Can Save Us Now?: Brand-New Superheroes and Their Amazing (Short) Stories
My story "The Pentecostal Home for Flying Children" is in this anthology.
John McNally, Will Clarke and Others: When I Was A Loser
Cumberland, RI parents called this the "pornographic" retelling of my high school loserdom. Trust me, I was there, my high school days were nothing like a porno.
Will Clarke: The Worthy: A Ghost's Story
SOON TO BE A MAJOR MOTION PICTURE
Will Clarke: Lord Vishnu's Love Handles : A Spy Novel (Sort Of)
Paperback June 2006
Don't Abuse the Muse: The MiddleFingerPress Mixed Tape of Fiction, Poetry & Reality
Proceeds Benefit Parkinson's Disease Research